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<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Mashable - The Social Media Guide - Latest Comments in Substituting Digital Watermarks for DRM</title><link>http://mashable.disqus.com/</link><description>Internet and Technology News - Mashable is the world’s largest blog focused exclusively on Web 2.0 and Social Networking news. With more than 5 million monthly pageviews, Mashable is the most prolific blog reviewing new Web sites and services, publishing breaking news on what’s new on the web.</description><atom:link href="https://mashable.disqus.com/thread_8316/latest.rss" rel="self"></atom:link><language>en</language><lastBuildDate>Sun, 13 Jan 2008 17:51:58 -0000</lastBuildDate><item><title>Re: Substituting Digital Watermarks for DRM</title><link>http://mashable.com/2008/01/12/substituting-digital-watermarks-for-drm/#comment-5992269</link><description>&lt;p&gt;The chances any artist actually see any real payments from these "toll booths" is slim by my estimates.&lt;/p&gt;&lt;p&gt;Look at today's public performance rates. The majority of working musicians see mere pennies each quarter from their performance rights agencies NOW for radio play. With no govt. intervention, or third party accounting, all monies will disappear in a black box.&lt;/p&gt;&lt;p&gt;The real answer in all this is total net neutrality and a return of the commons back to the people.&lt;/p&gt;&lt;p&gt;A strong FCC which is free of lobby influence is a start.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">thesubjective</dc:creator><pubDate>Sun, 13 Jan 2008 17:51:58 -0000</pubDate></item><item><title>Re: Substituting Digital Watermarks for DRM</title><link>http://mashable.com/2008/01/12/substituting-digital-watermarks-for-drm/#comment-5992268</link><description>&lt;p&gt;Dang, thesubjective.. you beat me to it.&lt;/p&gt;&lt;p&gt;Agree 100%.&lt;/p&gt;&lt;p&gt;I would only add that I feel one of the reactions will be that the increasingly large pool of artists choosing to operate outside the influence of major distribution will also adopt this technology to similar effect.&lt;/p&gt;&lt;p&gt;It's much easier, theoretically, for an indie or 'emancipated' artist to implement watermarking on their own scale for their own specific needs than it is for them to try and wrap their own content in some kind of DRM.&lt;/p&gt;&lt;p&gt;So hopefully an existing independent coalition will jump on this idea now and get it rocking so indies and newly freed musicians can get paid the right way.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Sobchak</dc:creator><pubDate>Sun, 13 Jan 2008 06:36:33 -0000</pubDate></item><item><title>Re: Substituting Digital Watermarks for DRM</title><link>http://mashable.com/2008/01/12/substituting-digital-watermarks-for-drm/#comment-5992267</link><description>&lt;p&gt;After 4 days at CES one thing is clear, ISP's will attempt to place "toll booths" monitoring all content that passes across their switches, looking for watermarks, so as to pay the rights holders a mechanical royalty. The cost of these payments the ISP's make to studio's and labels will be passed on to subscribers in the form of monthly "all you can eat" fees.&lt;/p&gt;&lt;p&gt;5-7 years from now this will be the norm.&lt;/p&gt;&lt;p&gt;Made possible by the Dept. of Homeland Security and a very backwards FCC.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">thesubjective</dc:creator><pubDate>Sat, 12 Jan 2008 11:23:33 -0000</pubDate></item><item><title>Re: Substituting Digital Watermarks for DRM</title><link>http://mashable.com/2008/01/12/substituting-digital-watermarks-for-drm/#comment-5992266</link><description>&lt;p&gt;The thing is that watermarking is not as easy to spot. You spot DRM at once when it does not work: but you not necessarily spot watermark.&lt;/p&gt;&lt;p&gt;Also: there are basically infinite numbers of methods for watermarking in loosy compression formats (JPEG, MP3, any videocompression), and you can never know, which happens, since you can't tell if it's original or watermarked.&lt;/p&gt;&lt;p&gt;The mp3s I bought from Nuclear Blast (I love Nightwish and was willing to pay for them, but I don't use CDs at all) had a number in the name of the zip file - I guess it was the transaction ID and I suspect they're watermarked. Which was also suspicious when two legally downloaded instances of their charity single Eva hadn't got the same MD5 hash.&lt;/p&gt;&lt;p&gt;For me it's basically fine: I spread it amongst my closest friends, but did not upload anywhere, to not hurt the people I admire as musicians. This is called incentive, and it's the thing that could stop the mindless spreading of music tracks.&lt;/p&gt;&lt;p&gt;While it's certainly a good argument, that the marginal costs of creating a new mp3 instance is around zero (it takes computer power comsumption), the thing is that certain kind of music is much more enjoyable at home with good speakers than on a concert, and some such bands have a very spreaded international fanbase, which makes touring costly and less profitable (like such kind of music can't be played open air with good quality etc). And I think we should support the artists we like. Not all of them who you have ever heard a good song from, but your favourites.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Adam Nemeth</dc:creator><pubDate>Sat, 12 Jan 2008 10:49:15 -0000</pubDate></item><item><title>Re: Substituting Digital Watermarks for DRM</title><link>http://mashable.com/2008/01/12/substituting-digital-watermarks-for-drm/#comment-5992265</link><description>&lt;p&gt;I don't forsee this being an issue of privacy so much as accountability.  Right now (and I mean that, because pretty soon music will be free) the problem is that they're spending oodles and boodles of money on DRM that only needs to be broken one time to be rendered completely ineffective.&lt;/p&gt;&lt;p&gt;The idea was originally to try to create artificial scarcity by these means.  Well, obviously that didn't work and was a huge waste of cash.  Watermarking is a decent compromise, although it's still not perfect.&lt;/p&gt;&lt;p&gt;Why?  Watermarking is NOT prohibitive of fair use.  I can play a file with a watermark in it's meta-data on ANY device I please.  However! Browsing though my 'drm-free' mp3 collection from Amazon and iTunes reveals 'watermarks' in the form of a simple ID number for the purchase.  Not a huge invasion of my privacy, and certainly a step in the right direction.&lt;/p&gt;&lt;p&gt;So, if they find that this 'watermarked' mp3 is available on thousands of torrents and other p2p networks they obviously know that I'm one of the dreaded file-sharers who are out to get them.&lt;/p&gt;&lt;p&gt;Personally I'm surprised that watermarking wasn't the first option as it was already very popular in the digital art communities to 'imbed' invisible watermarks in your photographs that could not be cropped out or removed without some SERIOUS photoshop skill.  Watermarks have the potential to be dangerous, so I think privacy groups definitely need to watch the situation as it develops.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Adam P</dc:creator><pubDate>Sat, 12 Jan 2008 10:15:26 -0000</pubDate></item></channel></rss>