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I personally think this is a great idea. I have come across so many amazing photos and images through Flickr that it's not surprising that Getty would have recognized this potential. This is giving the photographers a new way to make some money for their work, something that is always appreciated in the artist community.
You have a blog which you are obviously using to try to drive business to your site. It is telling that you think that photographers do not have a right to make money.
How would you like it if someone took your content, reposted it and provided a link (albeit tiny) back to your site?
Photographers do not work at YOUR pleasure, unless you pay them. Do the right thing. Or learn photography.
http://danheller.blogspot.com/2008/01/gaming-cr...
Those of us who choose to CC-license our content have specific reasons for doing so. There is no conflict between me licensing my images under CC and additionally licensing them to be sold as stock art.
Translation - by explicitly setting our images to a CC license, and this step requires quite a bit of work, we permit our artwork to be shared for whatever altruistic reasons we might have.
We are not fools. You will find that most CC photographers are acutely aware of the potential of licensing images to stock photography companies. :)
BY-NC-SA - free use, attribution required. If you use it on a commercial site, you are in violation of my rights
Getty - commercial use
Fairly straightforward :)
My photos are set to BY-NC-SA as a default. However, they feature mostly people and are not model and property released. That basically would limit them to editorial use if I were to license them commercially.
It is very unlikely that your selection of available CC images will be affected by Getty's involvement. Those people are extremely selective. :)
By the way, the only licenses compatible with commercial use are BY, BY-SA, BY-ND. If you are using photos on a commercial site that are licensed with the NC clause, you are legally in violation of our rights.
For further education, please review - http://creativecommons.org/about/licenses
http://www.flickr.com/photos/wiseleo/sets - my Flickr album
Anyway the payment procedure is really annoying for who lives outside USA and there are so many modules to fill that speaks about things I've never heard. In part becouse they refere to United States Fiscal System and in part becouse they deal with copyright issues to which I'm not confortable due that I'm not a Professional Photographer.
It would be great if some elightned would give a sense to all that sheets.
* Photographers get 20-30% (WTF!!!) Getty claims their reach justifies this.
* Pictures are either Rights-Free or Rights-Managed
* Selection process seems arbitrary to me. They pick, you don't get to offer up any images to them.
* You agree to grant EXCLUSIVE rights for them to license for 2 years
* You can't change your mind after you agree i.e. you are stuck for the full 2 years. And they will not delete your picture on request during that time.
* The exclusive rights do not include fine art prints but that's about it.
* They also claim that you are forbidden from selling "Similars" to a different stock agency etc. That is if you have 2 pics of the same building and only one gets picked for Getty, you are not allowed to sell the other. Getty controls the definition of "Similar"
I have a couple of pictures that I do not care about in the Getty Collection at this point and will see how they do. Frankly, I think good photographers are going to (and should) hold off on their best images as they see how things play out.
This is bad because it lowers the overall quality of the collection. Getty needs to do more to incentivize photographers. At this point, the agreements are very much skewed to Getty's favor.
PS. Getty also has huge overhead which is another reason why they need to take such a big cut to be profitable.
That said, it isn't surprising that Getty would like to formalize what has been happening informally for years here. Art directors, though most are instructed not to, frequently browse share sites for novel points-of-view. It's a shrewd move, but photographers need to be equally informed as they consider opting in.